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Few areas have been as expansive
with their treasures of traditional song as the Appalachians.
The isolated small towns, villages and hollows in the section
running from Virginia through North Carolina, Kentucky and Tennessee
is nearly unsurpassed as a repository of old-time music and ballads
reaching back to the time of settlement. TRADITIONAL MUSIC CLASSICS
presents rare archival performances by four legends of traditional
music from this region.
Doc Watson was born into a musical
family with a repertoire of old time songs and ballads. His father
taught him how to play the five string banjo when he was young,
and doc later taught himself guitar and mandolin. His warm appealing
vocals and consummate flat picking have earned him a wide following
and helped expand the appeal of traditional Southern music. He
is joined by Fred Price (fiddle) and Clint Howard (guitar), neighboring
Tennessee farmers from musical families who joined Doc after the
death of Clarence "tom" Ashley, the musician with whom
they commenced playing college concerts in the 1960s. Includes
Maggie Walker Blues, Traveling Man, Lee Highway Blues, St.
James Hospital, and more.
The musical style of roscoe Holcomb,
the banjo/guitar player from Hazard, Kentucky, represents the
collective heritage of local musicians, combined with his Baptist
upbringing and exposure to the blues. The intensity he brings
to traditional performance illustrates the uncompromising musical
attack that led Eric Clapton to call him "his favorite country
musician." Includes Free Little Bird, Fair Miss in the
Garden, Graveyard Blues and more.
Buell Kazee was an exceptional singer
and superb traditional banjoist from Kentucky who recorded over
50 songs in the 1920s, many of them ancient ballads. He later
became an ordained minister and continued to collect traditional
mountain music. Includes The Orphan girl, John Hardy and
more.
John Kilby Snow was an outstanding
autoharpist who was virtually unknown until discovered by Mike
Seeger, who was responsible for bringing him to a wider audience
in the 1960s. Kilby mastered an unusual signature technique of
playing the autoharp, strumming left-handed below the chord bars
and utilizing what he called "drag notes," which he
demonstrates in this video. Accompanied by Mike Seeger, Kilby
plays Ragged But right, Greenback Dollar, Pretty Polly, What
A Friend We Have In Jesus and more.
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