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You could scarcely find two more
contrasting bottleneck stylists among the most popular artists
of the 30s than Casey Bill Weldon
and Kokomo arnold. Weldon, billed as the 'Hawaiian Guitar Wizard,'
played upbeat, almost hokum, tunes often in the ensemble, and
seemed concerned with smooth tone. Arnold usually played solo,
with strident tones, generally at a frenetic pace.
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